CATEGORY
|
5
|
4
|
3
|
2
|
Knows
the Poem
|
The
performer knows the poem well and has obviously practiced reciting the poem
several times. There is no need for notes and the performer speaks with
confidence.
|
The
performer knows the poem pretty well and has evidently practiced reciting the
poem once or twice. Refers to notes once or twice, but the performer is
relatively confident.
|
The
performer knows some of the poem, but does not appear to have practiced.
Refers to notes 3-4 times, and the performer appears ill-at-ease.
|
The
performer could not say the poem without using a written copy.
|
Speaks
Clearly
|
Speaks
clearly and distinctly all the time, and mispronounces no words.
|
Speaks
clearly and distinctly all the time, but mispronounces one word.
|
Speaks
clearly and distinctly most of the time. Mispronounces more than one word.
|
Often
mumbles or cannot be understood OR mispronounces more than one word.
|
Posture
and Eye Contact
|
Uses
posture appropriate for the poem, looks relaxed and confident. Establishes
eye contact with all members of the audience during the presentation.
|
Uses
posture appropriate for the poem and establishes eye contact with members of
the audience during the presentation.
|
Sometimes
stands up straight and establishes eye contact.
|
Slouches
and/or does not look at or try to involve audience during presentation.
|
Volume/Voice
|
Volume
is loud enough to be heard by all audience members throughout the
presentation. Performer speaks clearly and paces performance. Is easily
understood by all audience members all the time.
|
Volume
is usually loud enough to be heard by all audience members. Performer
generally speaks clearly and paces performance. Is easily understood by
audience members most of the time.
|
Volume
is usually loud enough to be heard by all audience members. Performer speaks
so fast that audience has trouble understanding.
|
Volume
too soft or performer mumbles. Audience often has trouble understanding.
|
Acting/Dialogue
|
Performer
uses consistent voice inflection, facial expressions, and movement to make
the poem more believable, more entertaining, and more easily understood.
|
Performer
often uses voice inflection, facial expressions, and movement to make the
poem more believable, more entertaining, and more easily understood.
|
Performer
tries to use voice inflection, facial expressions, and movement to make the
poem more believable, more entertaining, and more easily understood.
|
Performer
recites the poem, but does not use voice inflection, facial expressions, or
movement to make the poem more believable, interesting, or clear.
|
|
No comments:
Post a Comment